Reviews

A great book and a novel twist on the Arthurian legend.

The story stretches from Lancelot’s torrid early childhood, through the relative safety of his early teens and a blossoming love that will shape his life, to his role as ‘lord of war’ and his part in both Arthur’s and Briton’s fate. Underlying the whole book is the unchanging devotion of a young boy.

There’s no need to summarise the plot more than that, you can read the book for that. So, what did I think?

• The prose is beautiful.
• The battles and duels are excruciatingly good.
• The ‘training montage’ of his childhood and his relationship with his mentor are very well done. (In particular what Lancelot does for the man at the end of Pelleas’s life.)
• The background, myths, history and omens are woven into the text exceedingly well.
• Similarly, the technical elements of the world are present but don’t dominate.
• There is a huge cast of well-rounded characters to love, hate and mourn.
• There is frustrated love and impotent rage; vengeance, sacrifice and betrayal.
• Some people get their comeuppance, others, maddeningly, do not. Still more remain devious and obtuse throughout.

All in all, I liked it a lot.

A stunning cover.

That said, there are a few minor issues.

The first is the pace. It ranges from blindingly fast in some sections to slow in others. Some ebb and flow is good, but the contrast is occasionally too much.

One reason for this is the prose – as stunning as it is, it can take up too much space e.g. when describing nature. Up to a point, a tree is a tree. Move on.

Also relating to the pace is the sentence structure. On the whole, it is used well and varies considerably. From punchy fragments. To longer sentences that have minimum punctuation and stretch on and on and on but are difficult to follow until the next full stop heaves into sight.

One last gripe – the section just past the halfway mark. It felt as if people were being moved around for the final, relentless push to the last battle. Lancelot’s childhood is a little guilty of this prolonged scene setting, too. I didn’t mind this as much. Why? Because, it seethes with the bubbling emotions between the teenagers on an island which I’m not even going to attempt to spell.

(Shout out to the proofreader, by the way. Keeping track of the spellings of the names in the book cannot have been easy.)

I want to stress, though, that these gripes are minor. Once all the characters have been built and shuffled into place, when Lancelot’s old enemies unite with his new ones, and Guinevere reenters his life, the book builds relentlessly to one inescapable conclusion: ruin.

All in all, Lancelot is dauntingly good.

I’ve already pre-ordered the next in the series and have an eye on the rest of the author’s novels.

Not to mention all the books mentioned in the back matter…

*sigh*

Too many books, too little time.

#thestruggleisreal

 

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A short review of a short book. In short, I liked it.

Here’s a slightly longer version.

Luke Scull achieves a lot in a short space of time. A Ring to Rule Them All contains hard-bitten warriors and moral dilemmas. The latter can be seen as treachery or honour depending on whose side you are. There’s humour to balance out a horrific event. The story has violence. There is a sense of history and depth to the world of the Grim Company, which is impressive in a such a short work. I never got the sense I was being overwhelmed with information or names that have more punctuation in them than letters. And there’s a resolution to the story that sets it up nicely for more.

In short (there’s that word again), I was impressed. I’ll be reading more by this author.

Just look at that cover!

*swoon*

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OK. Now the dust has settled from the tsunami of words I hit you with in my last post*, I thought I’d follow up The World’ Shortest Film review with a slightly longer one.

The Witcher.

I haven’t read the books so was coming at this cold.**

Short version: I’m glad I stuck with it.

Long version:

It started badly. I was prepared to quit after the first episode. The dialogue was clunky. There were too many manly grunts. Too many sections of ‘and now I will tell you my back story’. There were jumps in the plot that made no sense. More cliches than you could shake a magic stick at. I had the feeling I was being asked to care about people I knew nothing about. The scenery felt cheap. And the eyes! Seriously, what was going on with all those random eye colours?

The highlight of the episode was a great tweet about the episode by Joe Abercrombie: ‘the incel mage and his garden of boobies’. But otherwise, apart from the fight at the end (and I got the feeling that we were building up to that for almost an hour), I didn’t enjoy it.

I didn’t enjoy episodes 2 or 3, either.

I was encouraged to stick with it, so I did. (I didn’t need much encouragement, to be fair. It’s an affliction of mine, I rarely don’t finish books, either.) And, part-way through episode 4, things seemed to click.

The time lines converged. The people I felt I was being asked to care about in episode one I now cared about. Some of the monsters were suitably horrible. Some of the choices facing the protagonists also. The fight scenes were enjoyable. There were still moments when I found myself thinking: ‘what just happened?’ or ‘why did he/she/it do that?’ or ‘that makes no sense’. But, by then, I could roll with it.

Why the change? Mark Lawrence may explain it better. He made a good point in that The Witcher is almost like a fairy tale and in fairy tales somethings ‘just are’. If you can accept that the reason behind an action is ‘because’, then it makes sense. It took me a while to get there with this series.

As for those Hunting for a New Game of Thrones. This is not the show you’re looking for.

To paraphrase Mark Lawrence again – the shows are different beasts. GoT is essentially dirty politics (Would sir like a side-serving of cynicism to go with his tautology?) with some magic and dragons thrown in to spice it up, The Witcher reverses it. Maybe this will change in future series, but so far one is fantastical, the other fantastic. (At least until the last season, but that’s another post)

I’ll get round to reading the books at some point but for now I’ll stick with the show. And after a slow start, I’m actually looking forwards to seeing where it goes.

 

*That was ironical.**

**If you are one of the people who thinks not having read the books invalidates an opinion of the show, why? Shouldn’t the Netflix series stand on its own? Or do you believe that you can only have an opinion on something if you have read/ watched/ encountered the source material? Not read the James Bond books? Can’t comment on the films. Same applies for The Godfather, Jason Bourne series, Clockwork Orange, Fight Club, Trainspotting, Harry Potter, Twilight, LOTR etc etc I’m not looking for a fight, this is a genuine question.

***So was that. 🙂

This is going to be a short review of a huge series. By huge, I mean huge. Long. Very long.

Each book is long. (Have I said that?) With lots of characters. I felt that in Book One I was being introduced to every person in the Banished Lands. I’m guessing it’s the same sort of size as Western Europe (with/ without the UK…) and that’s a lot of people to get to know (+/- c. 66 million people) including several thousand giants and some talking birds. And that, was the first issue I had with the books. Until around the ¾ mark of Book One, I couldn’t remember who was who. Not helping that were the jumps in time and scenes. I had the same issue with David Gemmell’s Rigante series, which this series is similar to. (I’m sure I caught a blue and green cloak in The Faithful and the Fallen. If deliberate or not, it’s still a nice tip of the hat to Gemmell.) In both series, the story can seem to flip ahead and around. As a result of these two points, I almost quit at the halfway mark of Malice (Book One).

Before I get to the reason why I kept reading, a little more about the books.

It’s classic epic fantasy. You’ve got a vast cast: a reluctant chosen one, meddlesome gods and devious rulers, hardworking gentlefolk, esoteric master swordsmen & women, honourable warriors whose oath is their bond, feisty women, students who outstrip their masters, royal bastards, loving parents who would die for their kids, intelligent animals and a cantankerous crone. There are monsters and non-humans, traitors and bad people who are secretly good. There’s even a soldier who becomes a gladiator/ folk hero and rallies his fellow slaves in the arena. I missed the whore with a heart of gold and the hard-bitten alcoholic with marital problems but who is good at his job (sorry, wrong genre trope) but you kind of get the picture. Maybe I’m coming across too hard. There is nothing wrong with this mix of ingredients – they are a staple of this genre. But they sometimes grated. There are two main reasons:

MINI SPOILER ALERT.

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1 – they are essentially good or bad. There is some greyness. e.g. I can think of one ‘baddie’ who is secretly a ‘goodie’ (Camlin), and a couple of characters who are morally ambiguous (Conal and Meical). But what you see is what you get. The characters arrive fully formed.

2 – when it became apparent that there weren’t going to be any deaths of any of the main characters, it took the tension away from the numerous fights. I was reasonably confident that most people would survive except those that ‘shouldn’t’.

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MINI SPOILER ALERT OVER!

The action is relentless. There are more fights and battles than you can shake a starstone stick at. That in itself is great. But almost every chapter finished with some kind of twist or reversal, a ‘you’ll never guess what happens next…’ moment. It makes for a great page-turner of a book but it gets wearing after a while. Knowing that each chapter is going to have some kind of sting in the tail, means that each sting doesn’t hurt as much. I would have liked some variety of pace.

But, despite this, I finished the series quickly. Having made this long list of issues, why would I do so?

Because I really enjoyed it. Yes, I’ve been critical about it but it was refreshing to read something I was familiar with: a classic good vs evil story line, familiar themes and characters, and, despite my gripe about the constant twists, it makes for compelling reading. And the tropes? They were part of the attraction. It’s been a long time since I read something with such a simple divide between right and wrong.

Some other points.

• I liked the book not having a wide range of non-human races. I find this more of an issue these days than I used to.
• The names were pronounceable. (Some fantasy authors get carried away with their consonants.)
• There was enough gore to evoke a realism to a brutal world.
• A special shout out (howl out?) for the dogs. They were realistically portrayed and amusing.
• And, finally, there are enough reversals and twists to keep the story interesting. I particularly liked the revelation about the prophecy.

So yes, there were things that didn’t always sit right but I enjoyed The Faithful and the Fallen and will definitely read more by John Gwynne. That, essentially, is all that matters.

PS The covers? Loved them.

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